Persona (1966)
91%
EDIT
“A succession of ever more difficult and rewarding films has turned up in recent years. But that good fortune releases nobody who cares about films from acclaiming work as original and triumphant as Persona.” –
Sight & Sound
May 3, 2024
Full Review
Muriel (1963)
80%
EDIT
“[Resnais's] films lack tonicity and vigor, directness of address. They are cautious, somehow, overburdened and synthetic. They do not go to the end, either of the idea or of the emotion which inspires them, which all great art must do.” –
Film Quarterly
May 3, 2024
Full Review
Flaming Creatures (1963)
EDIT
“Flaming Creatures is a triumphant example of an aesthetic vision of the world -- and such a vision is perhaps always, at its core, epicene. But this type of art has yet to be understood in this country.” –
The Nation
May 2, 2024
Full Review
My Life to Live (1962)
91%
EDIT
“Vivre Sa Vie seems to me a perfect film. That is, it sets out to do something that is both noble and intricate, and wholly succeeds in doing it.” –
Moviegoer
May 2, 2024
Full Review
Smoking/No Smoking (1994)
EDIT
“[A] brilliant, ingenious, hilarious film.” –
Artforum
May 2, 2024
Full Review
Mosaferan (1992)
EDIT
“Trust me, this masterpiece from Iran is unlike anything you’ve seen yet.” –
Artforum
May 2, 2024
Full Review
The Captive (2000)
79%
EDIT
“Atypically movieish (i.e., Hitchcockian) for Ackerman but still adamant, unpredictable.” –
Artforum
May 2, 2024
Full Review
The Circle (2000)
94%
EDIT
“Another marvel from Iran. A relentless, anguishing film.” –
Artforum
May 2, 2024
Full Review
Hamlet (2000)
59%
EDIT
“Witty, intelligent, and most convincing when it’s altogether over the top.” –
Artforum
May 2, 2024
Full Review
The Wind Will Carry Us (1999)
97%
EDIT
“The best-known Iranian director has made another incomparable film.” –
Artforum
May 2, 2024
Full Review
Beau travail (1999)
87%
EDIT
“A dazzling riff on Melville’s Billy Budd. You’ll never forget the final scene, when the amazing Denis Lavant starts to dance.” –
Artforum
May 2, 2024
Full Review
Humanité (2000)
69%
EDIT
“A very ambitious film about looking and about guilt.” –
Artforum
May 2, 2024
Full Review
Faithless (2000)
85%
EDIT
“Ullmann’s best work by far, with one of the greatest film performances ever, by Lena Endre.” –
Artforum
May 2, 2024
Full Review
Yi Yi (2000)
97%
EDIT
“Is Yang as great as Hou Hsiao-hsien? Well, he’s different. See this.” –
Artforum
May 2, 2024
Full Review
Intimacy (2001)
66%
EDIT
“Worth seeing just for the performances. Mark Rylance may be the most gifted English-language actor of his generation.” –
Artforum
May 2, 2024
Full Review
Moloch (1999)
60%
EDIT
“Ravishing, weird, insolent.” –
Artforum
May 2, 2024
Full Review
Last Resort (2000)
94%
EDIT
“A superb British filmmaker, Pawlikowski is equally gifted in fiction (like this film, about the plight in bleakest England of a young Russian émigré and her son) and in documentary.” –
Artforum
May 2, 2024
Full Review
The River (1997)
75%
EDIT
“Nobody pictures despair -- and silence -- like [Tsai Ming-liang], who uses the same actors, often the same apartment location, in film after film.” –
Artforum
May 2, 2024
Full Review
The Gleaners and I (2000)
93%
EDIT
“A thrilling subject, and Varda’s best film since Vagabond.” –
Artforum
May 2, 2024
Full Review
Journey to the Sun (1999)
80%
EDIT
“An important, unaffected film that takes you somewhere you don’t know... and makes you feel and think -- and care.” –
Artforum
May 2, 2024
Full Review
Waking Life (2001)
81%
EDIT
“A melancholy youth ambles almost wordlessly through deep America -- rendered in dancy graphics -- receiving counsel from a parade of uproariously soliloquizing, exquisitely goofy pundits.” –
Artforum
May 2, 2024
Full Review
The Piano Teacher (2001)
75%
EDIT
“Not Haneke’s best film, but Isabelle Huppert is stupendous.” –
Artforum
May 2, 2024
Full Review
Southern Comfort (2001)
95%
EDIT
“You’ll never forget this documentary’s wise hero.” –
Artforum
May 2, 2024
Full Review
Werckmeister Harmonies (2000)
98%
EDIT
“Tarr continues his magistral collaboration with Hungarian novelist László Krasznahorkai, who wrote Sátántangó as well as the source of this film.” –
Artforum
May 2, 2024
Full Review
Goodbye South, Goodbye (1996)
100%
EDIT
“As amazing as [Hou Hsiao-hsien's] stately, subtle, beautiful Flowers of Shanghai.” –
Artforum
May 2, 2024
Full Review
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