Ayurella Horn-Muller
Ayurella Horn-Muller's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
What Is Democracy? (2018)
96%
9/10
EDIT
“Taylor's take on the topic is multi-layered, and one that if you don't pay close attention to, you might miss. But once defined, can democracy ever live up to its promise? That's something you'll need to watch What Is Democracy? in order to figure out.” –
Film Threat
Jan 22, 2019
Full Review
VerĂ³nica (2017)
78%
7.5/10
EDIT
“Just kooky enough to warrant more than a few grins, Aylesworth and Perez do something that hasn't been done before. Thrilling and radical, the two combine forces to inject a pattern of delightful risk in the sequences of events.” –
Film Threat
Dec 11, 2018
Full Review
Nathan's Kingdom (2018)
10/10
EDIT
“Everything works in Nathan's Kingdom. Not only does the movie feature 3D animations, but the narrative itself is tangible, bound to enrapture the audience long past its runtime.” –
Film Threat
Nov 6, 2018
Full Review
Summer '03 (2018)
65%
EDIT
“What Summer '03 teaches its audience is that control is an illusion. Tying into the realism of the production is another lesson: not every interaction or human connection has to have a fairytale ending.” –
Film Threat
Nov 2, 2018
Full Review
All Styles (2018)
3.5/10
EDIT
“At its best, All Styles is a cheap adaptation of a story that's been told one too many times before.” –
Film Threat
Oct 22, 2018
Full Review
Cruise (2018)
43%
4/10
EDIT
“In the 90 minutes it runs for, Cruise fails to provide the pleasure you'd expect from a feature of its production caliber.” –
Film Threat
Sep 26, 2018
Full Review
Interference (2018)
6/10
EDIT
“When it comes down it, Interference attempts to ask big questions but isn't able to give concise answers. No matter, as it's an entertaining view - just not one that can offer much palpability.” –
Film Threat
Sep 14, 2018
Full Review
The Ground Beneath (2008)
9.5/10
EDIT
“Sky And Ground does a beautiful job of filming these makeshift homes while skirting any form of sensationalism.” –
Film Threat
Sep 10, 2018
Full Review
Antiquities (2018)
100%
7.5/10
EDIT
“Without the talent demonstrated in this film, the narrative of Antiquities wouldn't hold up on its own. A sweet, wistful piece, it is difficult to ignore the agonizingly slow way it gets to its main point - forgiven only because of a strong ensemble...” –
Film Threat
Aug 30, 2018
Full Review
Chi-Town (2018)
100%
9/10
EDIT
“Budabin manages to make a piece of art that entertains, resonates with, and awakens those who partake.” –
Film Threat
Aug 6, 2018
Full Review
Ocean's 8 (2018)
69%
8.5/10
EDIT
“A comical, lively watch with a deeper implication, Ocean's 8 should justify to everyone that the industry no longer needs the likes of a Clooney, Pitt, and Damon equivalent team to carry a big blockbuster spectacle.” –
Film Threat
Jun 20, 2018
Full Review
All Between Us (2018)
3/10
EDIT
“If Haddish can't turn this production around, you better believe that no one can. The fault isn't her's; nor is it Denyce, Brian's, or Christian Levatino's. Talent is not the issue here. The crucial drawback of All Between Us lies in a confused plot.” –
Film Threat
Jun 5, 2018
Full Review
Natural Selection (2015)
2/5
EDIT
“Woefully, Natural Selection is unable to deliver. From the script to production quality, it plays off as overdone and out of touch.” –
Film Threat
May 31, 2018
Full Review
Mountain (2017)
88%
4/5
EDIT
“The beauty captured speaks for itself. Admittedly, some parts may lose the viewer; at times, the message can come off as too much. Even so, what makes it unique is these artistic exaggerations.” –
Film Threat
May 22, 2018
Full Review
The Meddler (2015)
85%
4.5/5
EDIT
“Sure to make you laugh, cry and call your mom (in no particular order), The Meddler is a heartwarming and surprisingly deeply satisfying film about the power of relationships and moving on.” –
Film Threat
May 14, 2018
Full Review
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