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Chris Wiegand

Chris Wiegand's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Dans Paris (2006) 60% 2.5/5 EDIT “The film becomes overcrowded with its irreverent touches and eccentric interludes, which increasingly feel strained and awkward.” – Boxoffice Magazine Aug 10, 2007 Full Review Monday Morning (2002) 71% 3/5 EDIT “Such quirky characters and humorous observations give this slight diversion plenty of precious moments.” – Boxoffice Magazine Jul 18, 2005 Full Review The Warrior (2001) 83% 4/5 EDIT “Kapadia constantly proves himself to be a director with not only an astonishingly rich visual imagination but also a strong sense of narrative, intelligently integrating a handful of flashbacks.” – Boxoffice Magazine Jul 13, 2005 Full Review Hero (2002) 94% 3/5 EDIT “Hero's thrilling mixture of the audacious and the exquisite offers the viewer a myriad of treats.” – Boxoffice Magazine Apr 3, 2004 Full Review Noi the Albino (2003) 88% 4/5 EDIT “This crowd-pleasing tale of growing pains is a work of undeniable charm and unexpected gravity, endowed with an offbeat sense of humor that will appeal to fans of Jim Jarmusch and Aki Kaurismaki.” – Boxoffice Magazine Mar 18, 2004 Full Review Everybody Says I'm Fine! (2001) 47% 2.5/5 EDIT “An uneven oddity.” – Boxoffice Magazine Mar 16, 2004 Full Review Broken Wings (2002) 92% 4.5/5 EDIT “A wise and sensitive piece of filmmaking that heralds the arrival of a major new talent.” – Boxoffice Magazine Jan 18, 2004 Full Review Time of the Wolf (2003) 66% 3/5 EDIT “An unspeakably timely exercise in despair; an experience that leaves you feeling as exposed, as exhausted and as raw as its central characters.” – Film Threat Oct 22, 2003 Full Review Ten Minutes Older: The Trumpet (2002) 86% 3/5 EDIT “This considerable first collection features a stellar line-up of international directors yet offers little star appeal.” – Boxoffice Magazine Oct 7, 2003 Full Review In This World (2002) 89% 3.5/5 EDIT “Feels both authoritative and authentic.” – Boxoffice Magazine Sep 20, 2003 Full Review Cabin Fever (2002) 62% 3/5 EDIT “Brisk and efficient homage to the 1970s horror cycle.” – Boxoffice Magazine Sep 12, 2003 Full Review The Heart of Me (2002) 50% 4/5 EDIT “A class act through and through.” – Boxoffice Magazine Apr 27, 2003 Full Review Raising Victor Vargas (2002) 96% 4/5 EDIT “A picture that clearly comes straight from the heart, it reminds you of the screen's potential to accurately reflect everyday life and genuinely move the viewer.” – Boxoffice Magazine Mar 10, 2003 Full Review The Little Chinese Seamstress (2002) 77% 3.5/5 EDIT “Beautifully shot, delicately scored and powered by a set of heartfelt performances, it's a lyrical endeavour.” – Boxoffice Magazine Oct 31, 2002 Full Review Rabbit-Proof Fence (2002) 87% 4/5 EDIT “With Rabbit-Proof Fence, Noyce has tailored an epic tale into a lean, economical movie.” – Boxoffice Magazine Oct 20, 2002 Full Review Sex Is Comedy (2002) 69% 3.5/5 EDIT “The real revelation in this endlessly engaging feature is the ever-present Parillaud, who dominates the picture like her character dominates the set.” – Boxoffice Magazine Oct 20, 2002 Full Review Ten (2002) 85% 3.5/5 EDIT “An unconventional and remarkably moving chamber piece.” – Boxoffice Magazine Oct 20, 2002 Full Review Intact (2001) 73% 3/5 EDIT “Saved by Fresnadillo's visual virtuosity.” – Boxoffice Magazine Oct 20, 2002 Full Review Morvern Callar (2002) 85% 3/5 EDIT “Ramsay succeeds primarily with her typical blend of unsettling atmospherics, delivering a series of abrasive, stylized sequences that burn themselves upon the viewer's memory.” – Boxoffice Magazine Oct 20, 2002 Full Review The Guru (2002) 57% 3/5 EDIT “There's much to relish here, including a raft of deft supporting performances.” – Boxoffice Magazine Oct 20, 2002 Full Review How to Draw a Bunny (2002) 85% 3/5 EDIT “Engaging portrait of the elusive and reclusive artist Ray Johnson.” – Boxoffice Magazine Oct 20, 2002 Full Review Once Upon a Time in the Midlands (2002) 51% 2.5/5 EDIT “While Meadows strives to ape the epic breadth of the genre and sets up a classic dramatic conflict, his film falters from too many of the kind of formulaic gags that would fit more happily on the small screen.” – Boxoffice Magazine Oct 20, 2002 Full Review The Happiness of the Katakuris (2001) 69% 3/5 EDIT “In this genre-bending celebration of family values, Miike delivers an imaginative and deliciously delirious mixture of jet black humor and schlock horror.” – Boxoffice Magazine Sep 27, 2002 Full Review Real Women Have Curves (2002) 85% 3/5 EDIT “Cardoso breathes new life into a familiar premise with this charming and sensitive crowd pleaser.” – Boxoffice Magazine Aug 14, 2002 Full Review Time Out (2001) 95% 4/5 EDIT “As a director, Cantet has built on the foundation of Human Resources and continues to prove himself a master of the small, often ironic, detail.” – Boxoffice Magazine Jul 9, 2002 Full Review
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