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Glue Magazine

Glue Magazine is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Annie Banks.

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Rating Title | Year Author Quote
5.5/10
Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020) Annie Banks Bursting with personality, Birds of Prey and the Fantabulous Emancipation of One Harley Quinn is easy to enjoy, but can't make itself out to be more than what it already is: a messily empowering Rated-R runaway train.
Posted Feb 14, 2020Edit critic review
5/10
Sonic the Hedgehog (2020) Annie Banks Sonic the Hedgehog approaches a popular franchise from an unsophisticated, fun-loving and childish angle that sets the Sega Cinematic Universe off on a mediocre pace. Sonic is cute, but it taps out at that.
Posted Feb 13, 2020Edit critic review
5/10
Star Wars: The Rise of Skywalker (2019) Annie Banks Much like the work of Storm Troopers, any shots taken at shocking twists are missed.
Posted Dec 23, 2019Edit critic review
8.5/10
Little Women (2019) Annie Banks Little Women is a romantic, dignified, heart-aching, delicate and emotive interpretation of a timeless and beloved classic.
Posted Dec 19, 2019Edit critic review
2.2/5
Automation (2019) Annie Banks The uphill trek to reach the peak of excitement is hefty, but once the climax is hit, the wait is rewarded.
Posted Dec 18, 2019Edit critic review
10/10
Knives Out (2019) Annie Banks It's a charming, eccentric, prudent puzzler that is brave enough to become all the more thrilling.
Posted Nov 22, 2019Edit critic review
7.5/10
Ford v Ferrari (2019) Annie Banks Ford v. Ferrari is a people-pleaser, a hope-giver, and a dream chaser.
Posted Nov 08, 2019Edit critic review
8.7/10
Jojo Rabbit (2019) Annie Banks Jojo Rabbit is an emotive, feel-good satire that entangles heart and humanity, even if it may strife on packing in intensity.
Posted Nov 01, 2019Edit critic review
8/10
Joker (2019) Annie Banks Joker is a devastatingly bold, brashly aggressive, truly haunting homage to the clown prince of crime. It stands proud as one of the most troubling, worrisome and delightfully distressing pieces of comic book cinema.
Posted Oct 03, 2019Edit critic review
9/10
The Farewell (2019) Annie Banks Wang is a visionary on the rise.
Posted Jul 19, 2019Edit critic review
6/10
The Lion King (2019) Annie Banks While The Lion King may not be able to go toe-to-toe with the Renaissance precursor, it still holds enough of that comforting Disney feel to gratify and amuse moviegoers.
Posted Jul 19, 2019Edit critic review
2/5
Dark Phoenix (2019) Annie Banks With the namesake of fire and destruction, the film is smothered and reduced to soot and ash. It really is sad to see something that could have been a triumph result in something sullen and carelessly completed.
Posted Jun 24, 2019Edit critic review
Spider-Man: Into the Spider-Verse (2018) Annie Banks Combines elements of humor, heart, and humanity into the superhero film that we've been waiting for.
Posted Dec 11, 2018Edit critic review
Rebel in the Rye (2017) Annie Banks With too long of a running time, the potential biography only tells the same story of a misunderstood writer, that becomes boring and hard to watch.
Posted Aug 27, 2018Edit critic review
Kingsman: The Golden Circle (2017) Annie Banks Kingsman may be turbulent but is the most fun to watch.
Posted Aug 27, 2018Edit critic review
The Dark Tower (2017) Annie Banks With a weak supporting cast, Sony has created a mediocre adaptation of a malleable story.
Posted Aug 27, 2018Edit critic review
Wheelman (2017) Annie Banks It only took nineteen days to shoot, and it's evident. Even if Grillo had performed most of the driving himself, his final product is underwhelming at best.
Posted Aug 27, 2018Edit critic review
Thor: Ragnarok (2017) Annie Banks Ragnarok remains to keep it's level of entertainment as again Led Zeppelin is played over, highlighting each member of the Revenger team.
Posted Aug 27, 2018Edit critic review
The Hitman's Bodyguard (2017) Annie Banks This film is highly entertaining and masterfully written. Reynolds and Jackson are keen when it comes to foul-mouthed mercenary roles.
Posted Aug 27, 2018Edit critic review
Marshall (2017) Annie Banks Still powerful and upliftlingly hopeful, Marshall borderlines what could be a Gad film as he interjects and oversteps.
Posted Aug 27, 2018Edit critic review
For the Love of George (2018) Annie Banks The concept of George is entertaining, but the execution by an independent distributor isn't enough to get the film off the ground.
Posted Aug 27, 2018Edit critic review
Darkest Hour (2017) Annie Banks The film stands strong and tall as one of the most prominent biopic films.
Posted Aug 25, 2018Edit critic review
Avengers: Infinity War (2018) Annie Banks It's powerful, it's draining, it's fantastically harrowing.
Posted Aug 25, 2018Edit critic review
Black Panther (2018) Annie Banks Black Panther is a cinematic triumph. It dominates and overcomes racial and social barriers while executing a superhero film.
Posted Aug 25, 2018Edit critic review
Ready Player One (2018) Annie Banks Ready Player One is literally a gamer's paradise, a dazzling film that never seems to slow down.
Posted Aug 25, 2018Edit critic review
The Death of Stalin (2017) Annie Banks The Death of Stalin is a smart, quick-witted, and amusing comedy that pinpoints historical humor.
Posted Aug 25, 2018Edit critic review
Teen Titans GO! to the Movies (2018) Annie Banks Surprisingly, this one is pretty fun. It's amusing, bright, and a triumph for DC Entertainment.
Posted Aug 25, 2018Edit critic review
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