|
3/10
|
Return to Silent Hill
(2026)
|
Miguel Calabria
|
... a generic film that could belong to any franchise, incapable of capturing what made Silent Hill such a personal and enduring experience. [Full review in Spanish]
Posted Feb 02, 2026
Edit critic review
|
|
8/10
|
My Blueberry Nights
(2007)
|
Emiliano Basile
|
[Kar-Wai Wong] dares to place the camera where no one else does...in addition to the accelerated image effects that have become a signature of the director. [Full review in Spanish]
Posted Feb 02, 2026
Edit critic review
|
|
8/10
|
Jellyfish
(2007)
|
Ezequiel Obregón
|
...Jellyfish builds a form of dissonant realism, where laconic dialogue and informational economy are only slightly interrupted by brief bursts of the dreamlike, like flashes in the darkness. [Full review in Spanish]
Posted Feb 02, 2026
Edit critic review
|
|
4/10
|
City of Dreams
(2024)
|
Juan Pablo Russo
|
The film points out the crime, shows it, and repeats it, but dedicates less time to exploring the conditions that make it possible, as if the urgency of the message were displacing any attempt at complexity. [Full review in Spanish]
Posted Feb 02, 2026
Edit critic review
|
|
4/10
|
Body of Lies
(2008)
|
Ezequiel Obregón
|
The story has been told many times before, and better. [Full review in Spanish]
Posted Feb 02, 2026
Edit critic review
|
|
8/10
|
Departures
(2008)
|
Emiliano Basile
|
Like its protagonist, the film doesn't give us a precise explanation of what's so special about the ritual. It's magic and emotion at the same time, and that's precisely what the film manages to convey. [Full review in Spanish]
Posted Feb 02, 2026
Edit critic review
|
|
6/10
|
The Big Fake
(2026)
|
Juan Pablo Russo
|
It doesn't forge a sustained connection with the viewer nor does it take risks in its perspective, but it offers a clear and accessible account of a key period in Italian history. [Full review in Spanish]
Posted Feb 02, 2026
Edit critic review
|
|
8/10
|
Complices
(2009)
|
Lucía Roitbarg
|
It has just the right elements to be a high-quality and original thriller. [Full review in Spanish]
Posted Feb 02, 2026
Edit critic review
|
|
8/10
|
Sweeney Todd: The Demon Barber of Fleet Street
(2007)
|
Ezequiel Obregón
|
Burton uses close-ups to intensify the pathos of his characters, while the stylized choreography functions as a narrative device that deepens—and doesn't conceal—their tormented personalities. [Full review in Spanish]
Posted Feb 02, 2026
Edit critic review
|
|
8/10
|
Aída y Vuelta
(2026)
|
Santiago Echeverría
|
...Aída y Vuelta solidifies itself as a comedy that transcends the label of a spin-off and offers a perspective on time, acting, and the mechanisms that underpin television fiction. [Full review in Spanish]
Posted Feb 02, 2026
Edit critic review
|
|
7/10
|
A Walk Among the Tombstones
(2014)
|
Emiliano Basile
|
...Liam Neeson delivers a superb performance, proving himself perfectly suited to enter such scenarios with sheer force of will. [Full review in Spanish]
Posted Jan 30, 2026
Edit critic review
|
|
6/10
|
Race to Witch Mountain
(2009)
|
Emiliano Basile
|
...the film seamlessly blends action, science fiction, and comedy, crafting a story that resonates with its target demographic. [Full review in Spanish]
Posted Jan 30, 2026
Edit critic review
|
|
6/10
|
A Guide to Recognizing Your Saints
(2006)
|
Ezequiel Boetti
|
Robert Downey Jr.'s performance as the adult Dito is particularly noteworthy, subtly crafting the character. [Full review in Spanish]
Posted Jan 30, 2026
Edit critic review
|
|
2/10
|
Spread
(2009)
|
Juan Pablo Russo
|
There are no scenes that build meaning, nor are there any formal choices that compensate for the script's emptiness. It falls short as both entertainment and provocation. [Full review in Spanish]
Posted Jan 30, 2026
Edit critic review
|
|
7/10
|
The Musicians
(2025)
|
Amparo Cabal
|
...this is a film that fundamentally addresses teamwork and the need to set aside a portion of individuality for the sake of the work. In this sense, the film offers no surprises, either narratively or in terms of plot. [Full review in Spanish]
Posted Jan 29, 2026
Edit critic review
|
|
6/10
|
Cold Storage
(2026)
|
Nicolás Dell’Acqua
|
The premise is the same as countless films and series in the genre, but, fully aware of this, Cold Storage more than fulfills its goal of being entertaining...[Full review in Spanish]
Posted Jan 29, 2026
Edit critic review
|
|
8/10
|
Certified Copy
(2010)
|
Ezequiel Obregón
|
At this point in the year, Certified Copy is a surprise for the local box office. A welcome one indeed. [Full review in Spanish]
Posted Jan 29, 2026
Edit critic review
|
|
6/10
|
The Wrecking Crew
(2026)
|
Emiliano Basile
|
[Dave Bautista and Jason Momoa's] contrast and charisma elevate a fairly conventional plot, adding humor and constant nods to action films, with references to other stars of the genre. [Full review in Spanish]
Posted Jan 28, 2026
Edit critic review
|
|
6/10
|
Daybreakers
(2009)
|
Juan Pablo Pugliese
|
With interesting twists and familiar metaphorical elements, Daybreakers is a distinguished combination of action and special effects, whose cast supports an ingenious plot... [Full review in Spanish]
Posted Jan 28, 2026
Edit critic review
|
|
2/10
|
Old Dogs
(2009)
|
Juan Pablo Pugliese
|
The film is dominated by a clumsy, boring, and irritating humor that pervades the narrative from beginning to end. [Full review in Spanish]
Posted Jan 28, 2026
Edit critic review
|
|
4/10
|
Fighting
(2009)
|
Juan Pablo Pugliese
|
[The fights are] a decorative element in a film whose recreation of clandestine environments and situations suffers from a fleeting quality...[Full review in Spanish]
Posted Jan 28, 2026
Edit critic review
|
|
7/10
|
Death of a Unicorn
(2025)
|
Emiliano Basile
|
An imperfect, excessive film, fully aware of its own madness. [Full review in Spanish]
Posted Jan 28, 2026
Edit critic review
|
|
8/10
|
Young Hearts
(2024)
|
Juan Pablo Russo
|
Young Hearts finds its greatest strength in its narrative economy. The film employs melodrama, but does so with restraint, avoiding over-explanation or discursive closure. [Full review in Spanish]
Posted Jan 27, 2026
Edit critic review
|
|
4/10
|
The Gallerist
(2026)
|
Santiago Echeverría
|
The film boasts an intriguing premise and a strong cast, but fails to articulate a vision that sustains its premise. [Full review in Spanish]
Posted Jan 27, 2026
Edit critic review
|
|
6/10
|
Nine
(2009)
|
Ezequiel Obregón
|
With some effective dialogue, a Daniel Day-Lewis who dances well and sings even better, and a predictable yet engaging story, Rob Marshall delivers a solid, entertaining film. [Full review in Spanish]
Posted Jan 27, 2026
Edit critic review
|
|
6/10
|
Zombieland
(2009)
|
Juan Pablo Pugliese
|
A film with a happy ending and a constant smile. Recommended, above all, for the young crowd. [Full review in Spanish]
Posted Jan 27, 2026
Edit critic review
|
|
7/10
|
Send Help
(2026)
|
Laia Cabuli
|
...Send Help can be viewed as Sam Raimi's return to his roots. Even though it unfolds almost entirely in a desolate setting and risks falling into clichés, the director manages to give the story an original twist. [Full review in Spanish]
Posted Jan 27, 2026
Edit critic review
|
|
8/10
|
The Invite
(2026)
|
Santiago Echeverría
|
Wilde offers a film that observes, listens, and presents, without moralizing, a series of questions that transcend borders and cultures. [Full review in Spanish]
Posted Jan 26, 2026
Edit critic review
|
|
8/10
|
If I Had Legs I'd Kick You
(2025)
|
Emiliano Basile
|
..."If I Had Legs I'd Kick You" joins the ranks of films that dare to question motherhood as a mandate and the social pressures exerted on women. This time, not through realistic drama, but through extreme situations...[Full review in Spanish]
Posted Jan 26, 2026
Edit critic review
|
|
4/10
|
Astro Boy
(2009)
|
Juan Pablo Pugliese
|
For younger children, it guarantees entertainment; for more demanding fans, the result will fall short of expectations. [Full review in Spanish]
Posted Jan 26, 2026
Edit critic review
|
|
10/10
|
The Princess and the Frog
(2009)
|
Ezequiel Boetti
|
The castle reopens its doors, this time supported by the strength of a narrative that understands that charm depends not on artifice, but on storytelling. [Full review in Spanish]
Posted Jan 26, 2026
Edit critic review
|
|
7/10
|
The Danish Girl
(2015)
|
Emiliano Basile
|
... it's the acting and direction that elevate its quality; otherwise, it's a film that doesn't offer anything cinematically new. [Full review in Spanish]
Posted Jan 26, 2026
Edit critic review
|
|
6/10
|
The Theory of Everything
(2014)
|
Ezequiel Obregón
|
As an exploration of one of the leading minds in contemporary thought, The Theory of Everything reveals itself for what it is: a Hallmark Channel production, but made considerably better. [Full review in Spanish]
Posted Jan 26, 2026
Edit critic review
|
|
6/10
|
The Tourist
(2010)
|
Ezequiel Boetti
|
What in Duplicity (2009) was all calculation and premeditation to steer the plot toward graceful coolness, here is bubbly and light...[Full review in Spanish]
Posted Jan 26, 2026
Edit critic review
|
|
4/10
|
Halloween II
(2009)
|
Juan Pablo Russo
|
Despite "keeping alive" the spirit of a legend, the film has a strange, meandering approach and constant repetition that makes it barely entertaining. [Full review in Spanish]
Posted Jan 26, 2026
Edit critic review
|
|
8/10
|
Changeling
(2008)
|
Emiliano Basile
|
...Changeling is a solid, well-constructed and even better acted story...[Full review in Spanish]
Posted Jan 26, 2026
Edit critic review
|
|
7/10
|
The Huntress
(2026)
|
Santiago Echeverría
|
Adriana Paz's performance sustains the narrative both physically and internally. Her portrayal avoids the typical heroine archetype, instead building from trembling, exhaustion, and unwavering determination. [Full review in Spanish]
Posted Jan 23, 2026
Edit critic review
|
|
7/10
|
The Whisper
(2025)
|
Emiliano Basile
|
In The Whisper (2025), [Gustavo Hernández] once again demonstrates an exceptional command of mise-en-scène, achieving suffocating atmospheres and a visual and auditory power that both unsettles and captivates. [Full review in Spanish]
Posted Jan 23, 2026
Edit critic review
|
|
9/10
|
The Bar
(2017)
|
Emiliano Basile
|
This pessimistic vision of the world is another stroke of genius from the director, as entertaining as it is devastating. [Full review in Spanish]
Posted Jan 22, 2026
Edit critic review
|
|
5/10
|
Watching the Detectives
(2007)
|
Emiliano Basile
|
Watching the Detectives is a simple and engaging romantic comedy where the world of cinema comes to life. The observant viewer will recognize the subtle (or not so subtle) homages and see themselves reflected in them. [Full review in Spanish]
Posted Jan 22, 2026
Edit critic review
|
|
6/10
|
The Maze Runner
(2014)
|
Julia Soubiate
|
Ultimately, Ball does what he can with rather weak material, and leaves us with an entertaining blockbuster that sets a good precedent and a bit of anticipation for the prospect of the inevitable sequel. [Full review in Spanish]
Posted Jan 22, 2026
Edit critic review
|
|
6/10
|
The Salt of Life
(2011)
|
Emiliano Basile
|
If we consider the film as a whole, its structure is flawed; however, it is those small moments, portraits of Rome and its people, that convey the freshness and simplicity with which Gianni manages to win us over. [Full review in Spanish]
Posted Jan 21, 2026
Edit critic review
|
|
6/10
|
Damned If You Do, Damned If You Don't
(2025)
|
Emiliano Basile
|
Through humorous situations arising from family chaos—and the protagonist's genuine desire to help—Di Gregorio explores generational differences, changing habits, and, above all, the importance of family in the contemporary world. [Full review in Spanish]
Posted Jan 21, 2026
Edit critic review
|
|
6/10
|
Alvin and the Chipmunks: The Road Chip
(2015)
|
Rolando Gallego
|
As a road movie, the script has all the necessary elements to build the narrative, while as a family comedy, its approach is perfectly suited to the circumstances of a franchise aimed at children...[Full review in Spanish]
Posted Jan 21, 2026
Edit critic review
|
|
6/10
|
The Dutchman
(2025)
|
Emiliano Basile
|
With solid performances and elegant staging, Andre Gaines' film gains in visual appeal and pacing, but sacrifices some of the social weight of the play to become a story about infidelity. [Full review in Spanish]
Posted Jan 21, 2026
Edit critic review
|
|
8/10
|
Up in the Air
(2009)
|
Emiliano Basile
|
More than offering answers, the film observes the state of our times and highlights the costs of a culture that has made constant mobility a way of life.[Full review in Spanish]
Posted Jan 20, 2026
Edit critic review
|
|
8/10
|
Juno
(2007)
|
Emiliano Basile
|
The film thus draws a porous boundary between youth and adulthood. There is no sharp division, but rather a constant exchange of roles and responsibilities [Full review in Spanish]
Posted Jan 20, 2026
Edit critic review
|
|
6/10
|
Murdercise
(2023)
|
Juan Pablo Russo
|
It fulfills its runtime, offers some visually striking moments, and exhausts itself within its own structure. [Full review in Spanish]
Posted Jan 19, 2026
Edit critic review
|
|
8/10
|
Viet and Nam
(2024)
|
Juan Pablo Russo
|
Without resorting to allegory, the film suggests opposing yet complementary movements that hark back to old territorial divisions. [Full review in Spanish]
Posted Jan 19, 2026
Edit critic review
|
|
8/10
|
Pillion
(2025)
|
Juan Pablo Russo
|
Pillion neither romanticizes inequality nor presents it as a problem to be solved: it proposes observing how certain relationships are sustained by explicit agreements, even when they clash with dominant emotional types.[Full review in Spanish]
Posted Jan 19, 2026
Edit critic review
|