|
1/5
|
Normal
(2025)
|
Cameron Meier
|
It would be a train wreck, except there are no trains in tiny, icy Normal. So it’s a snow-plough wreck, with a large body count and a small-mindedness.
Posted Apr 03, 2026
Edit critic review
|
|
4/5
|
Chopin, Chopin!
(2025)
|
Cameron Meier
|
The French- and Polish-language extravaganza is the type of period piece rarely seen anymore.
Posted Apr 03, 2026
Edit critic review
|
|
2/5
|
YOU HAD TO BE THERE: How the Toronto Godspell Ignited the Comedy Revolution...
(2025)
|
Cameron Meier
|
Nick Davis’s partly animated, talking-heads documentary – despite its share of laughs, insights and good vibes – is as tedious, self-indulgent, rambling and self-aggrandizing as its absurdly long title.
Posted Apr 02, 2026
Edit critic review
|
|
2.75/5
|
The Marching Band
(2024)
|
Cameron Meier
|
The chords in writer-director Emmanuel Courcol’s dramedy ... are often dissident. But the through-line is harmonious.
Posted Apr 02, 2026
Edit critic review
|
|
3/5
|
The Last Viking
(2025)
|
Cameron Meier
|
Balance of characters, genres and tones is often off, especially when it turns violent. But irresistible weirdness and strong performances rule the day. Skol!
Posted Apr 02, 2026
Edit critic review
|
|
4/5
|
I Swear
(2025)
|
Cameron Meier
|
It’s not every day a film changes your mind about something.
Posted Apr 02, 2026
Edit critic review
|
|
3.75/5
|
Everywhere Man: The Lives and Times of Peter Asher
(2025)
|
Cameron Meier
|
Daniel Geller and Dayna Goldfine’s joyful and surprisingly revelatory doc might be the greatest pop-music story you don’t already know.
Posted Apr 02, 2026
Edit critic review
|
|
3.25/5
|
The Christophers
(2025)
|
Cameron Meier
|
A study in contrasts, the chamber piece is lighthearted but deep, simple but multi-layered, overstated and under-performed, with lots to say about the value of one’s life work.
Posted Apr 02, 2026
Edit critic review
|
|
3.5/5
|
Project Hail Mary
(2026)
|
Cameron Meier
|
The sci-fi-comedy-drama-action-adventure (say that five times) precariously balances big, smart ideas with light-hearted, zany sass, all while telling a story of potential apocalypse.
Posted Mar 10, 2026
Edit critic review
|
|
1.5/5
|
Dreams
(2025)
|
Cameron Meier
|
Both the relationship and the film remain cold and flat, with dialed-in performances, moderated tones, medium shots and an almost total lack of music and close-ups.
Posted Feb 25, 2026
Edit critic review
|
|
4.25/5
|
Mr. Nobody Against Putin
(2025)
|
Cameron Meier
|
The film belongs to Talankin, who not only co-directed but narrates in an almost "Roger & Me" style, even managing to interject some humor into the tragedy. He is the Russian Michael Moore.
Posted Feb 04, 2026
Edit critic review
|
|
1.75/5
|
Superman
(2025)
|
Cameron Meier
|
The ridiculous story, a poorly cast Nicholas Hoult as Lex Luthor, too many other supernatural characters and overreliance on digital effects wastes a good performance from David Corenswet as Superman and an excellent one from Rachel Brosnahan as Lois Lane
Posted Feb 03, 2026
Edit critic review
|
|
4.5/5
|
Young Adult
(2011)
|
Cameron Meier
|
"Young Adult" is arguably, alternatingly, the funniest and saddest film of 2011 while simultaneously being the most deceptively profound. It’s a coming-of-age tale for grownups.
Posted Jan 18, 2026
Edit critic review
|
|
2/5
|
Avatar: Fire and Ash
(2025)
|
Cameron Meier
|
It has indeed captured the zeitgeist, for it is just like Trump’s America: big, loud and dumb.
Posted Jan 10, 2026
Edit critic review
|
|
4/5
|
Rental Family
(2025)
|
Cameron Meier
|
It has the courage to ask – in an otherwise lighthearted film – what it means to interact with fellow humans and how the roles we play in life shape our reality and pseudo-reality.
Posted Nov 30, 2025
Edit critic review
|
|
3.75/5
|
The Life of Chuck
(2024)
|
Cameron Meier
|
Chuck’s brain, as Walt Whitman wrote, "contains multitudes," meaning Chuck has populated his death-bed dream with people he has met throughout his life and given them stories that mean something to him.
Posted Nov 30, 2025
Edit critic review
|
|
3.5/5
|
Train Dreams
(2025)
|
Cameron Meier
|
Though he manages to find some perspective or meaning in the meaningless toward the end of the film, "Train Dreams" is that rare movie exploring a person whose life never amounts to much. No big dreams. No major accomplishments. Just existence.
Posted Nov 30, 2025
Edit critic review
|
|
1.75/5
|
The Testament of Ann Lee
(2025)
|
Cameron Meier
|
Like Shakerism, "Testament" is unique, ill-conceived and unpleasant.
Posted Nov 20, 2025
Edit critic review
|
|
4/5
|
Jay Kelly
(2025)
|
Cameron Meier
|
Despite its owing its life to many better movies, it provides a powerful lesson about fame, friendship and family.
Posted Nov 16, 2025
Edit critic review
|
|
1.5/5
|
Die My Love
(2025)
|
Cameron Meier
|
Grace. That’s who I am, and what I lack. But life goes on. For me, for Jackson and for our baby boy. Because it must. Or maybe not. I don’t know. I guess it goes on regardless.
Posted Nov 09, 2025
Edit critic review
|
|
3.5/5
|
Nuremberg
(2025)
|
Cameron Meier
|
Despite its predictability and lack of nuance, "Nuremberg" is an essential watch for these times, or any time. It’s not necessarily one of the best films of 2025, but it is one of the most important.
Posted Nov 06, 2025
Edit critic review
|
|
2.25/5
|
Frankenstein
(2025)
|
Cameron Meier
|
Let me be frank: Guillermo del Toro has a problem.
Posted Nov 05, 2025
Edit critic review
|
|
3.75/5
|
Blue Moon
(2025)
|
Cameron Meier
|
Like the little pet mouse that Hart describes to White, the entire film – and Hart himself – have what Hart calls a “New York look of doomed hopefulness.”
Posted Oct 24, 2025
Edit critic review
|
|
2.75/5
|
Anemone
(2025)
|
Cameron Meier
|
Depending upon your mood and your level of patience, the movie will either bloom for you or lose its petals one by one over 126 minutes of methodicality until all that remains is another wonderful performance by Day-Lewis but not much else.
Posted Oct 11, 2025
Edit critic review
|
|
1.75/5
|
Good Boy
(2025)
|
Cameron Meier
|
If you look past the lovability of the loyal, lead canine, you will find little to sink your teeth into.
Posted Oct 10, 2025
Edit critic review
|
|
4/5
|
If I Had Legs I'd Kick You
(2025)
|
Cameron Meier
|
Despite being billed as a comedy-drama, "Legs" – a weird, Lynchian blend of "Mother!" and "Ordinary People" – is one of the most nightmarishly uncomfortable films of the year. It’s also one of the best.
Posted Oct 07, 2025
Edit critic review
|
|
1.5/5
|
The Naked Gun
(2025)
|
Cameron Meier
|
Despite the plethora of dad jokes, this isn’t your father’s "Naked Gun."
Posted Oct 03, 2025
Edit critic review
|
|
3.75/5
|
A Big Bold Beautiful Journey
(2025)
|
Cameron Meier
|
“Choose to be content, and enjoy the moments of happiness that come from that,” Sarah tells David. ... Though I am not overjoyed by all Kogonada’s choices, I am content. And that quiet contentment is affording me a surprising amount of movie happiness.
Posted Sep 19, 2025
Edit critic review
|
|
3.75/5
|
Downton Abbey: The Grand Finale
(2025)
|
Cameron Meier
|
"The Grand Finale" is a suitable, sentimental sendoff for an entertainment institution and easily the best of the three films.
Posted Sep 11, 2025
Edit critic review
|
|
5/5
|
Atonement
(2007)
|
Cameron Meier
|
Best film of the 21st century.
Posted Sep 09, 2025
Edit critic review
|
|
2.75/5
|
Went Up the Hill
(2024)
|
Cameron Meier
|
Like the plot, the title makes little sense too until you remember the names of the two main characters. They aren’t exactly fetching a pail of water, but there is some “tumbling after,” both symbolically and literally.
Posted Aug 20, 2025
Edit critic review
|
|
4.25/5
|
I, Daniel Blake
(2016)
|
Cameron Meier
|
It’s no surprise Loach made a film that delivers such an emotional yet truthful pummeling. After all, he’s been neglecting to pull his punches since the late 1960s.
Posted Aug 11, 2025
Edit critic review
|
|
2/5
|
The Phoenician Scheme
(2025)
|
Cameron Meier
|
Mr. Anderson ... get away from your routine, rethink your storytelling and, for the love of God, try something different. ... Show us something new, something we didn’t think you had inside.
Posted May 19, 2025
Edit critic review
|
|
3.25/5
|
Threads
(1984)
|
Cameron Meier
|
And above all, over its 112 minutes, it continues to emotionally escalate the inescapable tragedy. This visceral relentlessness is its cinematic modus operandi.
Posted May 13, 2025
Edit critic review
|
|
2/5
|
Time Travel Is Dangerous
(2024)
|
Cameron Meier
|
"Time Travel Is Dangerous" has more than enough time to expand the story [from the short film]. In fact, it has too much time. And therein lies its downfall.
Posted Apr 30, 2025
Edit critic review
|
|
2/5
|
Mr. K
(2024)
|
Cameron Meier
|
I applaud your imagination, Ms. Schwab, but next time spend more time channeling Rod Serling. For while Mr. K’s dimension has plenty of sight and sound, it doesn’t have enough mind.
Posted Apr 22, 2025
Edit critic review
|
|
2.25/5
|
Here
(2024)
|
Cameron Meier
|
The film is filled with fascinating ideas and the best premise of any 2024 movie. But thanks to heavy-handed dialogue, ham-fisted directing, on-the-nose messaging and overly broad acting, it’s one of the most disappointing movies of the year.
Posted Jan 31, 2025
Edit critic review
|
|
4/5
|
A Complete Unknown
(2024)
|
Cameron Meier
|
"A Complete Unknown" [is] the perfect title for [Dylan's] bio-pic, as it seems the answer to the age-old question “Who is Bob Dylan?” is still blowin’ in the wind.
Posted Dec 11, 2024
Edit critic review
|
|
1.75/5
|
Nightbitch
(2024)
|
Cameron Meier
|
It’s a mongrel: a film only a mother could love.
Posted Dec 06, 2024
Edit critic review
|
|
3.25/5
|
Joker: Folie à Deux
(2024)
|
Cameron Meier
|
An eclectic and original vision from Phillips, who again co-wrote the script with Scott Silver (based, of course, on DC Comics characters), the film both embraces and transcends its weirdness.
Posted Oct 03, 2024
Edit critic review
|
|
2.5/5
|
The Critic
(2023)
|
Cameron Meier
|
In the end, it’s not about much of anything at all.
Posted Sep 09, 2024
Edit critic review
|
|
3/5
|
Beetlejuice Beetlejuice
(2024)
|
Cameron Meier
|
The story is a mess, but that matters little if the mood is right, and it mostly is thanks to a totally beetle-shit-crazy Burton, who is entirely in his element. ... [The film] represents a healthy dose of pure insanity.
Posted Sep 06, 2024
Edit critic review
|
|
3/5
|
Widow Clicquot
(2023)
|
Cameron Meier
|
Despite sumptuous art direction, costumes and cinematography, "Widow Clicquot" would be rather pedestrian ... if not for Haley Bennett, who, in the title role, successfully balances vulnerability and power, while projecting her trademark radiance.
Posted Jul 17, 2024
Edit critic review
|
|
4/5
|
Le chêne
(2022)
|
Cameron Meier
|
This stunning French nature documentary, in just 80 narration-less minutes, rids your mind of the problems of the modern world, replacing them with an oak tree and the creatures great and small living in and around it.
Posted Jul 09, 2024
Edit critic review
|
|
2.5/5
|
Daddio
(2023)
|
Cameron Meier
|
Cleverly executed visuals, sharp editing and well-meaning performances aren’t quite enough for "Daddio." It’s often engaging, ... but just like all the taxi rides I’ve taken in my life, I forgot this one as soon as the cab door slammed shut.
Posted Jun 30, 2024
Edit critic review
|
|
3.25/5
|
Kinds of Kindness
(2024)
|
Cameron Meier
|
"Kinds of Kindness" is less than the sum of its parts. But the parts are spasmodically fantastic and, when allowed to simmer in the film’s Louisiana kitchen, produce the strangest three-course meal of the year. Dig in.
Posted Jun 26, 2024
Edit critic review
|
|
4/5
|
Pignorant
(2024)
|
Cameron Meier
|
Do a few minutes of taste enjoyment override the right of sentient beings to exist? If you eat pork ... that is the question you must ask yourself. And if you either refuse to answer or have no interest in "Pignorant," you just might be a sociopath.
Posted May 30, 2024
Edit critic review
|
|
2.25/5
|
The Dead Don't Hurt
(2023)
|
Cameron Meier
|
"The dead don’t hurt.” But the missed opportunities of a promising story, memorable ambience and two good lead performances ache excruciatingly.
Posted May 20, 2024
Edit critic review
|
|
1.75/5
|
Unfrosted
(2024)
|
Cameron Meier
|
"Unfrosted" might be the best commercial ever made, but it’s not much of a movie.
Posted May 10, 2024
Edit critic review
|
|
2.5/5
|
Wildcat
(2023)
|
Cameron Meier
|
The film might mean more to those familiar with the author’s short stories and novels, as the script repeatedly adopts an “embedded narrative” that blurs the line between O’Connor’s life and her characters’.
Posted Apr 23, 2024
Edit critic review
|