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Cambridge Day

Cambridge Day is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Allyson Johnson, Asher Luberto, Oscar Goff, Sarah Vincent, Tom Meek.

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Rating Title | Year Author Quote
3/5
Arco (2025) Tom Meek The tender bond between Arco and Iris, two lonely kids centuries apart, longing for companionship, holds our attention against the environmental degradation.
Posted Feb 02, 2026  Edit critic review
2.5/4
Send Help (2026) Tom Meek Send Help is whimsically entertaining. McAdams’s bravado carries the paunchy plot.
Posted Feb 02, 2026  Edit critic review
2.5/4
Shelter (2026) Oscar Goff "Shelter" delivers a workmanlike ass-kicking, too muted to hurt. In other words, it’s a Jason Statham movie.
Posted Jan 30, 2026  Edit critic review
3/4
H Is for Hawk (2025) Tom Meek It’s a bittersweet exploration of loneliness and self-doubt that soars on the strength of its restraint and Foy’s full embodiment of Helen’s emotional state.
Posted Jan 27, 2026  Edit critic review
2.5/4
The Rip (2026) Tom Meek Affleck and Damon lean into their parts, though most of the rest of the cast, save Calle, hang in the orbit of their swagger.
Posted Jan 27, 2026  Edit critic review
1.5/4
Mercy (2026) Oscar Goff This may be the first pro-dystopian science fiction film.
Posted Jan 26, 2026  Edit critic review
3.5/4
The Testament of Ann Lee (2025) Oscar Goff "Ann Lee" is an extravagant, frequently sensuous film about austerity and celibacy, a story of faith and fervor told from a secular point of view. The result, as strange as it is, is utterly entrancing
Posted Jan 18, 2026  Edit critic review
2.5/4
Primate (2025) Tom Meek Movement and mime specialist Miguel Torres Umba does an impressive and convincing turn in a monkey suit as Ben (bonus points for not going CGI, even if the facial prosthetics stand out).
Posted Jan 15, 2026  Edit critic review
1.5/4
The Mannequin (2025) Tom Meek The hokey exorcism shatters the spell Berardo casts early on.
Posted Jan 15, 2026  Edit critic review
2/4
Greenland 2: Migration (2026) Tom Meek I found myself reflecting that the only reason to make this movie is to give people more reasons to dislike making Greenland a U.S. territory.
Posted Jan 15, 2026  Edit critic review
3/4
OBEX (2025) Oscar Goff As absurd as it all is, we sense that Birney means every word of it.
Posted Jan 15, 2026  Edit critic review
2.5/4
We Bury the Dead (2024) Tom Meek The tenuous bond with Clay helps drive the action too, even if it is predictable. No real guts are spilled per se, just emotional ones.
Posted Jan 07, 2026  Edit critic review
3/4
No Other Choice (2025) Tom Meek What ensues are some slow, sloppy offings that Park stages with great comedy despite their grim affect.
Posted Jan 07, 2026  Edit critic review
3.5/4
Resurrection (2025) Tom Meek This bold, poetic nightmare resonates with humanity and wonder.
Posted Jan 07, 2026  Edit critic review
3/4
The Great Flood (2025) Tom Meek There’s a lot of threads that director Kim Byung-woo throws into the vortex. Some of it’s confounding and confusing, but it’s never dull.
Posted Jan 05, 2026  Edit critic review
2.5/4
Eden (2024) Tom Meek Law and Brühl’s righteous lads give the film its anchor as resolute ideologue and man willing to go to all ends to protect his family, while de Armas... turns the dial up to eleven.
Posted Jan 05, 2026  Edit critic review
3/4
It Was Just an Accident (2025) Tom Meek It is atypical Panahi, rich in production values and gingerly plotted, something that Panahi’s other films — seeking to skirt government censorship — avoided in their raw, natural, unflinching lens.
Posted Jan 05, 2026  Edit critic review
3/4
Song Sung Blue (2025) Tom Meek In an era of maximalist biopics that mistake volume for insight, “Song Sung Blue” finds meaning in the margins.
Posted Dec 24, 2025  Edit critic review
3.5/4
Marty Supreme (2025) Tom Meek It’s a madcap turn that keeps amping up the tension in unexpected ways. The casting is devilish, with magician-funnyman Penn Jillette and gruff director Abel Ferrara.
Posted Dec 24, 2025  Edit critic review
2.5/4
Avatar: Fire and Ash (2025) Tom Meek Each new “Avatar” installment has been notably longer and more eye-poppingly impressive (do yourself a favor and see this one in 3D Imax), but also rides the rails of diminishing returns – more is not more.
Posted Dec 22, 2025  Edit critic review
3/4
Endless Cookie (2025) Tom Meek The matters at the core are isolation, addiction, colonialism and the harmful impacts on generations of Indigenous people, done in vivid, hand-drawn animation by Seth that makes Adult Swim look tame
Posted Dec 18, 2025  Edit critic review
2/4
Eternity (2025) Tom Meek This empty melodrama isn’t filled by the quirk of Freyne’s after-world building – think “Beetlejuice.” If this is what eternity looks like, I’ll choose hell.
Posted Dec 04, 2025  Edit critic review
2.5/4
Wake Up Dead Man: A Knives Out Mystery (2025) Tom Meek O’Connor gets a passing grade as the main focus, but it’s Close and Craig that sell it.
Posted Dec 04, 2025  Edit critic review
2.5/4
Hamnet (2025) Tom Meek Overall, “Hamnet” makes for a well-constructed disappointment.
Posted Dec 01, 2025  Edit critic review
2.5/4
Sisu: Road to Revenge (2025) Tom Meek Road to Revenge is lean, and necessarily so, as it’s one note. The bloody orgy of bullets and metal mangled mayhem likely isn’t for all, but will certainly please fans of the original.
Posted Nov 26, 2025  Edit critic review
3/4
Jay Kelly (2025) Oscar Goff Even if "Jay Kelly" is an exercise in self-indulgence, it is exceptionally pleasurable and well-crafted self-indulgence, with a playfulness that takes the edge off its maudlin overtones.
Posted Nov 26, 2025  Edit critic review
3.5/4
Sentimental Value (2025) Tom Meek How Trier pulls the splaying story together feels virtuosic, but there’s nothing showy or needlessly sentimental. It’s muted, dour and throughly affecting. It’s filmmaking from the heart.
Posted Nov 24, 2025  Edit critic review
2/4
Rental Family (2025) Oscar Goff The film as a whole is suffocatingly saccharine, wringing every drop of pathos with a nonstop, maddeningly twinkly score.
Posted Nov 20, 2025  Edit critic review
2.5/4
Wicked: For Good (2025) Oscar Goff Where the first film was buoyed by the momentum of Elphaba’s transformation into witchiness, the second remains largely one-note, its characters stuck in a turgid state of conflict and angst, vamping for time until the inevitable denouement.
Posted Nov 20, 2025  Edit critic review
2.5/4
Shelby Oaks (2023) Oscar Goff The resulting film certainly has its moments, but it’s paper-thin and frustratingly unfocused.
Posted Nov 20, 2025  Edit critic review
3.5/4
Nouvelle Vague (2025) Tom Meek The meticulous recreation of the time and place is mind-boggling, and the number of personalities brought to life rivals Midnight in Paris.
Posted Nov 14, 2025  Edit critic review
3.5/4
One to One: John & Yoko (2024) Tom Meek It’s a wild olio that captures the chaotic time with Lennon and Ono at the fore, on point and putting themselves out there in every sense of the word.
Posted Nov 14, 2025  Edit critic review
3/4
The Running Man (2025) Oscar Goff It’s madcap pulp, attuned to the times, as Richards steels himself against spiraling poverty, mindless media saturation and masked fascist thugs.
Posted Nov 13, 2025  Edit critic review
2.5/4
The Vortex (2025) Tom Meek The Vortex is a talkie film that hangs on the long, resigned face of Gardell, a comedian best known for his long stint on “Mike & Molly.” It’s a dramatic switch that Gardell pulls off, quietly but effectively conveying his inner dread.
Posted Nov 11, 2025  Edit critic review
3/4
Predator: Badlands (2025) Tom Meek It’s an effective blend of grim, sci-fi grit and nonchalantly ribald comedy. It swings for the fences and connects.
Posted Nov 10, 2025  Edit critic review
2.5/4
Nuremberg (2025) Tom Meek Michael Shannon and Richard E. Grant are fine adds as the U.S. and British prosecutors that try to pin Göring to the wall, but without Crowe, the judgment here would lack conviction.
Posted Nov 10, 2025  Edit critic review
2.5/4
Christy (2025) Tom Meek It’s the dark turns, Christy’s never-say-die resolve and Sweeney’s immersive portrayal that make “Christy” go the distance
Posted Nov 10, 2025  Edit critic review
3/4
Die My Love (2025) Tom Meek Ramsay and Lawrence are in tune at every turn and we are lucky to be here for their deftly deliberate dissonance.
Posted Nov 10, 2025  Edit critic review
2.5/4
Bugonia (2025) Tom Meek Here, however, the misanthropic provocateur, ever looking to go to 11, overdials to 12.
Posted Nov 03, 2025  Edit critic review
2/4
Springsteen: Deliver Me from Nowhere (2025) Oscar Goff For a film about a performer as energetic as Springsteen, “Deliver Me From Nowhere” is strangely dour and listless.
Posted Oct 24, 2025  Edit critic review
3/4
Good Fortune (2025) Tom Meek Even with the billing of Ansari and fellow comedy mainstay Seth Rogen, it’s Keanu Reeves who marches off with the film. It’s mostly the actor’s innate warmth and humanity that do the trick.
Posted Oct 22, 2025  Edit critic review
2/4
The Woman in Cabin 10 (2025) Tom Meek Knightly is quite convincing in the delusional/not-delusional part, and the framing of the luxe yacht on the high seas is breathtaking. Too bad the plot had weak sea legs in print and founders more on the screen.
Posted Oct 17, 2025  Edit critic review
2.5/4
Where to Land (2025) Tom Meek It’s a stoic, reflective affair with some strong writing.
Posted Oct 17, 2025  Edit critic review
2.5/4
After the Hunt (2025) Tom Meek There’s so much to want to like here – and it does provoke – but it’s just inchoate. “After the Hunt” doesn’t add much to a conversation that’s long been going on.
Posted Oct 17, 2025  Edit critic review
2.5/4
The Lost Bus (2025) Tom Meek The Lost Bus is a gripping tale of heroism and tragedy that shouldn’t have to be told.
Posted Oct 13, 2025  Edit critic review
3/4
Anemone (2025) Tom Meek A stunning fusion of sound and image – intimate yet expansive with deep eerie chords that conjure wonderment and a haunting sense of foreboding. Not all of it melds, yet it rivets in nearly every frame.
Posted Oct 13, 2025  Edit critic review
2.5/4
TRON: Ares (2025) Oscar Goff If one is able to look past the rote human (and cyborg) interactions, they’re left with a pretty great Nine Inch Nails planetarium laser show, and there are far worse ways than that to spend an afternoon.
Posted Oct 11, 2025  Edit critic review
3/4
Kiss of the Spider Woman (2025) Oscar Goff It’s a tricky role requiring ridiculous humor and utter heartbreak, and Tonatiuh dances across the high wire as easily as Molina’s Hollywood dream avatar.
Posted Oct 11, 2025  Edit critic review
3/4
A HOUSE OF DYNAMITE (2025) Oscar Goff It’s a grade-A suspense thriller, even if you find yourself watching with a lump in your throat.
Posted Oct 08, 2025  Edit critic review
1.5/4
Play Dirty (2025) Tom Meek Wahlberg's Parker goes about his business with video game nonchalance. He doesn't care, and neither do we.
Posted Oct 06, 2025  Edit critic review
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