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Aída y Vuelta
(2026)
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A breezy and mildly amusing satire with shades of Almodóvar, but it's tonally uneven and not funny, outrageous or witty enough.
Posted Feb 03, 2026
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Jimpa
(2025)
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An occasionally poignant, but undercooked, overstuffed and unfocused portrait of a dysfunctional family.
Posted Feb 03, 2026
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Calle Málaga
(2025)
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A bittersweet, but tedious and mildly engaging drama elevated by Carmen Maura's warm and radiant performance.
Posted Feb 03, 2026
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Dracula
(2025)
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An atmospheric, but dull and overlong Gothic horror romance that suffers from style over substance.
Posted Feb 03, 2026
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Solo Mio
(2026)
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Sweet, heartwarming and breezy, but occasionally cheesy and contrived. Your enjoyment of the film depends how much you can handle a saccharine romcom and on how much you're willing to suspend your disbelief.
Posted Feb 03, 2026
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Infinite Icon: A Visual Memoir
(2026)
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A stylishly edited, but shallow, overlong and mostly hagiographic documentary.
Posted Jan 28, 2026
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Shelter
(2026)
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An uninspired, clunky and pedestrian action thriller with a fleeting amount of suspense and excitement. Shelter would be the inferior B-movie in a double feature with the more gripping and intelligent Black Bag.
Posted Jan 28, 2026
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Moses the Black
(2026)
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A provocative albeit heavy-handed crime drama. An engrossing character study as well as protest against violence and hatred which are very important and universal aphorisms.
Posted Jan 27, 2026
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Send Help
(2026)
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A wildly entertaining, wickedly funny and exhilarating thrill ride. Send Help manages to be as fun and exciting as the third chapter of Triangle of Sadness with as much biting satire and tongue-in-cheek humor.
Posted Jan 26, 2026
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Worldbreaker
(2025)
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An intense and gritty, but tedious and uninspired sci-fi action thriller.
Posted Jan 26, 2026
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Paying for It
(2024)
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It doesn't say anything profound, new or surprising about love, fidelity, intimacy, happiness, relationships or loneliness.
Posted Jan 26, 2026
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Islands
(2025)
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A taut and intriguing Hitchcockian thriller with a career-best performance by Sam Riley.
Posted Jan 26, 2026
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Back to the Past
(2025)
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A sci-fi action adventure with great production design, but a lackluster story and not enough palpable thrills.
Posted Jan 26, 2026
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The Moment
(2026)
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A mildly amusing and visually stylish, but toothless, shallow and tedious mockumentary satire that's not nearly as smart, funny and biting as Popstar: Never Stop Never Stopping.
Posted Jan 26, 2026
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Clika
(2026)
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A shallow, pedestrian and forgettable coming-of-age music drama with a lively soundtrack that fails to deliver poignancy or insight into the heart, mind and soul of its protagonist.
Posted Jan 23, 2026
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Mr. Nobody Against Putin
(2025)
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A mildly engaging and occasionally provocative, but shallow, tedious, incomplete and underwhelming documentary
Posted Jan 21, 2026
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H Is for Hawk
(2025)
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Sugar-coated, by-the-numbers and undercooked.
Posted Jan 21, 2026
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The Dreamer Cinderella
(2025)
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A sweet, charming and uplifting romantic comedy for the whole family.
Posted Jan 21, 2026
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The Containment
(2024)
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Uninspired, unscary and bland.
Posted Jan 21, 2026
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The Big Johnson
(2025)
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A captivating, warts-and-all documentary.
Posted Jan 21, 2026
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Mercy
(2026)
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A slick and stylish sci-fi thriller that's shallow, convoluted and increasingly preposterous.
Posted Jan 21, 2026
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Return to Silent Hill
(2026)
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An atmospheric, supernatural horror thriller that offers no surprises, thrills or palpable scares.
Posted Jan 21, 2026
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Two Sleepy People
(2025)
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An honest, wise, heartfelt and refreshingly un-Hollywood romantic dramedy brimming with wit, humor and genuine warmth.
Posted Jan 21, 2026
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Seeds
(2025)
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A warm, poetic and exquisitely shot documentary.
Posted Jan 14, 2026
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Night Patrol
(2025)
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An uninspired, undercooked and overstuffed horror comedy/thriller.
Posted Jan 14, 2026
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28 Years Later: The Bone Temple
(2026)
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An audacious, gritty, rousing and wildly entertaining horror thriller.
Posted Jan 14, 2026
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Signing Tony Raymond
(2025)
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A funny, witty and uplifting sports dramedy that's not just for football fans.
Posted Jan 13, 2026
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SHEEPDOG
(2025)
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A heartfelt and wise emotional journey that's occasionally contrived, schmaltzy and on-the-nose.
Posted Jan 12, 2026
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A Useful Ghost
(2025)
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A bold, but uneven and overlong amalgam of comedy, satire, sci-fi and drama.
Posted Jan 12, 2026
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Charlie the Wonderdog
(2025)
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An amusing and delightful animated superhero adventure.
Posted Jan 12, 2026
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Deepfaking Sam Altman
(2025)
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Timely, provocative and captivating.
Posted Jan 12, 2026
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Shuffle
(2025)
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An eye-opening, enraging and well-edited documentary exposé.
Posted Jan 12, 2026
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All You Need Is Kill
(2025)
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An exhilarating and thrilling slice of sci-fi anime.
Posted Jan 12, 2026
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Greenland 2: Migration
(2026)
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A by-the-numbers disaster movie with great visual effects, but a bland screenplay without any surprises. Gerard Butler does his best to invigorate the film with his charisma.
Posted Jan 09, 2026
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Primate
(2025)
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A lean and unflinchingly gory B-movie that's too dumb, repetitive and unimaginative to become a new cult classic. Primate feels just as disappointing and lazy as Cocaine Bear.
Posted Jan 08, 2026
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The Dutchman
(2025)
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A provocative, surreal and gripping psychological thriller with shades of David Lynch.
Posted Jan 07, 2026
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I Was a Stranger
(2024)
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Mildly engaging, but undercooked.
Posted Jan 07, 2026
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OBEX
(2025)
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Equally surreal, bizarre and unconventional. OBEX ultimately isn't as provocative, audacious, poetic or poignant as other mindf---s like I Saw the TV Glow.
Posted Jan 06, 2026
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My Neighbor Adolf
(2022)
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It's just as disappointing, poorly executed and ultimately forgettable as Getting Away with Murder. For a much better film about someone suspecting his neighbor of being a former Nazi, see Beautiful Blue Eyes.
Posted Jan 06, 2026
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Dead Man's Wire
(2025)
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A well-acted and wickedly funny, but clunky and somewhat inert dramatic thriller with a great soundtrack.
Posted Jan 06, 2026
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The Chronology of Water
(2025)
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A bold, unflinching, heartbreaking and exquisitely shot emotional journey.
Posted Jan 06, 2026
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All That's Left of You
(2025)
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A provocative and timely drama that's well-acted, unflinching and emotionally devastating.
Posted Jan 06, 2026
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Young Mothers
(2025)
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A tender, heartfelt and gently moving slice-of-life that avoids melodrama, contrivance and schmaltz.
Posted Jan 06, 2026
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We Bury the Dead
(2024)
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A lean and slow-burning, but dull, tedious and undercooked zombie thriller with not enough world-building, suspense, scares or imagination.
Posted Dec 31, 2025
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Anaconda
(2025)
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A painfully unfunny, lazy and asinine satire that runs out of steam very early. Anaconda could've been as bonkers and wickedly funny as One Cut of the Dead or as witty and outrageously funny as Bowfinger, but it doesn't even come close.
Posted Dec 24, 2025
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The Plague
(2025)
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One of the most original, profound and poignant coming-of-age movies in years. It's concurrently funny, scary, suspenseful, heartbreaking and enlightening. Everett Blunck and Kayo Martin both give breakthrough performances as does Kenny Rasmussen.
Posted Dec 23, 2025
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The Choral
(2025)
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Mildly engaging and understated, but often dull, clunky, sugar-coated, undercooked and choppily edited. The Choral isn't nearly as powerful as the far more poignant and captivating The Chorus from 2004.
Posted Dec 22, 2025
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The Testament of Ann Lee
(2025)
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A beautifully shot and poetic, but tedious, overlong and heavy-handed drama with shades of Terrence Malick. Amanda Seyfried gives one of the best performances of her career
Posted Dec 21, 2025
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Father Mother Sister Brother
(2025)
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Undercooked, slight and underwhelming without allowing any of the talented ensemble cast to truly shine. It's ultimately less than the sum of its parts. Night on Earth is a superior Jarmusch film that also includes interconnected vignettes.
Posted Dec 20, 2025
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David
(2025)
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A captivating adventure with stunning animation and exhilarating musical numbers. One of the best animated movies of the year.
Posted Dec 19, 2025
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